Price$25.00
Media TypeDVD
CategoryMentalism
Date AddedMay 21, 2013
Eden Project
Clarke, G.
Enigma Ltd.
(Based on 1 review)
In this debut DVD from G. Clarke, you'll learn 3 incredibly powerful mentalism effects that can be routined together, or performed separately to create an organic, modern masterpiece for your audience.
PASSCODE:
The spectator is asked if they have a passcode or lock set on their iPhone, and the performer reveals that thought of number without ever asking the spectator to write anything down. It's simple, direct and easy to perform.
NON-TOXIC:
A diabolical new method for an add a number routine. Imagine inviting multiple spectators to type in a number of their choice into the iPhone calculator, and multiply all their results together. The outcome is ALWAYS a number you've predicted ahead of time, and can even be your telephone number. This revolutionary revamp to the popular TOXIC method means that the spectators can make as many mistakes as they like, change their mind, choose to add, subtract or divide their numbers, and it will ALWAYS end up as YOUR number. No TOXIC set-up or memory recall!
FATE 2.0:
After releasing the first version of this effect in November 2011, it soon became Theory11's best selling wire effect. Originally it was a method to divine the Shuffled order of songs on their iPhone music library. However this has just been redeveloped into a STRONGER, MORE POWERFUL effect by making it a pure mind-reading demonstration. Multiple spectators are asked to think of a random song from a Borrowed iPhone, and with the iPhone locked and hidden away in someones pocket, you can instantly reveal each spectators selection. It's that good.
"Fate is how real mind reading should look ..." - Justin Miller
"I love, love, love this effect" - Jonathan Bayme
Reviews
(Top ▲)
To be very clear these are effects that are for the Apple I-phone. These are not effects that I would perform on stage or for a formal show. However, as a walk around or street performance these effects have some strong merits.
Passcode is just as it looks from the performance clips. There is a bit that is not shown, but to be fair, the audience would not be aware of this little “preshow” either. It is explained on the DVD that the dirty work for this piece can easily be done during non-toxic or fate 2.0.
Non-toxic is a different way to perform the add-a-number routine using a calculator. What is significant about this method is that the spectator can clear the memory, check out the calculator, make a mistake, hit the wrong button, or do anything that might usually mess up a calculator add-a-number routine and it won’t matter to you.
It is a clever idea. However, there is a theatrical/method trade off when using this idea. As Mr. Clark notes he uses this when he believes people will make mistakes, such as a pubs, parties, etc. Will I use it personally? No. But, it is a clever idea. You might use it.
Fate 2.0. Again this is a clever idea using an I-phone. Sine you are using their music library, I think this lends itself to being very interesting and personal to people you are performing for.
Passcode is just as it looks from the performance clips. There is a bit that is not shown, but to be fair, the audience would not be aware of this little “preshow” either. It is explained on the DVD that the dirty work for this piece can easily be done during non-toxic or fate 2.0.
Non-toxic is a different way to perform the add-a-number routine using a calculator. What is significant about this method is that the spectator can clear the memory, check out the calculator, make a mistake, hit the wrong button, or do anything that might usually mess up a calculator add-a-number routine and it won’t matter to you.
It is a clever idea. However, there is a theatrical/method trade off when using this idea. As Mr. Clark notes he uses this when he believes people will make mistakes, such as a pubs, parties, etc. Will I use it personally? No. But, it is a clever idea. You might use it.
Fate 2.0. Again this is a clever idea using an I-phone. Sine you are using their music library, I think this lends itself to being very interesting and personal to people you are performing for.